Pale Blush Effloroscent Sherwani
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SPECIFICATIONS
A pale blush pink raw silk sherwani. The jacket featured highly stylised floral and avian artworks derived from an archival 17th century Jacobean textile fragment bordered with a Mughal-esque dabbi jaal. It is paired with a pale pink silk kurta which was layered with geometric chevrons in resham as well as burnished gold kasab-dori marodi ka kaam, slim pants and a pair of handcrafted shoes. The look is completed with an embroidered dushala.
Note: All RAH outfits comprise of a three component set. Accessories worn by model including potli and additional dupatta/veil are not included. -
MATERIAL & CARE
Dry Clean only
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DISCLAIMER
This is a handcrafted product containing vintage fabrics, Threads, sequins, zari etc. and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished products charm while ensuring you have a "one-of-a-kind piece”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
SHERWANI
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.SHERWANIFirangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
SHERWANI
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
A pale blush pink raw silk sherwani. The jacket featured highly stylised floral and avian artworks derived from an archival 17th century Jacobean textile fragment bordered with a Mughal-esque dabbi jaal. It is paired with a pale pink silk kurta which was layered with geometric chevrons in resham as well as burnished gold kasab-dori marodi ka kaam, slim pants and a pair of handcrafted shoes. The look is completed with an embroidered dushala.
Note: All RAH outfits comprise of a three component set. Accessories worn by model including potli and additional dupatta/veil are not included.
Dry Clean only
This is a handcrafted product containing vintage fabrics, Threads, sequins, zari etc.
and may have slight irregularities or imperfections. These irregularities are the result
of the human involvement in the process and raw material that adds to the finished products
charm while ensuring you have a "one-of-a-kind piece”
Despite every effort to provide accurate
images of each outfit's color and design, actual colors and design may vary slightly due to
the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with
a finish (that is not a fault) will need to comply with the RAH terms and conditions.
