Ivory Tree Of Life Sherwani
An ivory and gold silk sherwani paired with slim fit pants and an embroidered dushala
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SPECIFICATIONS
An ivory and gold silk sherwani. The jacket features an abstraction of the Tree of Life brimming with bejewelled peacocks and other avian motifs as well as miniature paintings of various birds and floral bouquets, which are embossed and meticulously appliqued inside gilded frames. The embroideries are rendered with tonal resham aari ka kaam and zardozi embroidery (inspired from a late 19th century robe). It is paired with slim fit pants and an embroidered dushala. The look is completed with a pair of hand crafted shoes.
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MATERIAL & CARE
Dry Clean only
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DISCLAIMER
This is a handcrafted product containing vintage fabrics, Threads, sequins, zari etc. and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished products charm while ensuring you have a "one-of-a-kind piece”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
SHERWANI
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.SHERWANIFirangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
SHERWANI
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
An ivory and gold silk sherwani. The jacket features an abstraction of the Tree of Life brimming with bejewelled peacocks and other avian motifs as well as miniature paintings of various birds and floral bouquets, which are embossed and meticulously appliqued inside gilded frames. The embroideries are rendered with tonal resham aari ka kaam and zardozi embroidery (inspired from a late 19th century robe). It is paired with slim fit pants and an embroidered dushala. The look is completed with a pair of hand crafted shoes.
Dry Clean only
No return No exchange
This is a handcrafted product containing vintage fabrics, Threads, sequins, zari etc.
and may have slight irregularities or imperfections. These irregularities are the result
of the human involvement in the process and raw material that adds to the finished products
charm while ensuring you have a "one-of-a-kind piece”
Despite every effort to provide accurate
images of each outfit's color and design, actual colors and design may vary slightly due to
the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with
a finish (that is not a fault) will need to comply with the RAH terms and conditions.
