Ivory Chintz Sharara
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SPECIFICATIONS
A tulle kurti-sharara in hues of ivory, mustard and rose. The embroideries feature artworks gleaned from a melange of references- archival chintz textile fragments, sacred geometry, Edwardian jewellery and Mughal architectural details. The look is completed with a diaphanous embroidered dupatta.
Note: All RAH outfits comprise a three-component set. Accessories worn by the model including potli and additional dupatta/veil are not included.
The model is wearing a size small which is meant to fit a chest size of 34 inches -
MATERIAL & CARE
Wash Care: Dry Clean Only Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
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DISCLAIMER
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
Ivory Chintz Sharara
Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.Ivory Chintz ShararaFirangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
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Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.

Firangi Mahal, evokes the glamour of the 1920s and 30s, an era when the Indian royals imbibed a western take on their sartorial style, doling out extensive commissions to European design houses. It was a time when the world of celluloid took over the collective consciousness, with stories and soirees dipped in fantasy starring the likes of Devika Rani, Naseem Banu, Zubeida Begum and Patience Cooper.
A tulle kurti-sharara in hues of ivory, mustard and rose. The embroideries feature artworks gleaned from a melange of references- archival chintz textile fragments, sacred geometry, Edwardian jewellery and Mughal architectural details. The look is completed with a diaphanous embroidered dupatta.
Note: All RAH outfits comprise a three-component set. Accessories worn by the model including potli and additional dupatta/veil are not included.
The model is wearing a size small which is meant to fit a chest size of 34 inches
Wash Care: Dry Clean Only Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight
irregularities or imperfections. These irregularities are the result of the human involvement in the process and
raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may
vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and
other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply
with the RAH terms and conditions.